简爱英语读后感600字(简爱的英语读后感500字)

《简爱》 讲述一位从小变成孤儿的英国女子在各种磨难中不断追求自由与尊严，坚持自我，最终获得幸福的故事。下面是《简爱》 英语读后感。欢迎阅读。

《简爱》 英语读后感一：

，-，hasleftussomuchtorcalandto think :

我们成为了3360的一员，因为有些人失去了目标，被蒙蔽了双眼，有些人蔑视她，因为她很冷漠，有些人在过去伤害了她。

我们是公正的成员。这就像是一个与大自然的对比。但是，一个勇敢的人应该促进另一边的美好事物。

我们是会员，尊重自己的地位和质量。本质上，每个人都是上帝的脚。思想有不同的地位、性质和外观，但所有的人性都是平等的。

我们也记得自己对生活、幸福和自信的追求

当我们意识到这一点时，她给我们的不仅仅是一个让我们满意的宽松或超越的政策，而是一个很大的个人主义的武器。

实际上，她看起来很漂亮，而且很聪明，或者说，她让其他人觉得很好，甚至她不喜欢那里。还有另外一些人认为她很容易陷入困境，所以当她错过了一个月的假期时，她看起来就像是一个非常糟糕的时刻，因为她显然比要求更糟糕的政府。但是这个小小的政府帮助了3360,你认为呢，因为我贫穷，不出名，平凡，有点，没有灵魂，没有耳朵？你想错了错了！这是一个很好的例子。上帝给了我们财富和财富，但是没有头脑，上帝给了我们智慧和思考的大脑Herideaofequalityandself .和self presented ussomuchandletusfilempowerinsideerbody .

在某种程度上，尽管人们的外表可以让其他人认为一个人是不切实际的和迷人的，如果他或她不像外表一样美丽，比如美丽，不能持久，当其他人认为这个人的外表已经失去了理智，这并不奇怪，他们就会喜欢这个人。很长一段时间以来，只有一个伟大的美德，一个美丽的灵魂，才能被称为永恒的美丽，就像一个充满激情和激情的天使。我觉得，作为一个真正的男人，我们可以区分他是高尚还是卑微，但是作为一个真正的男人，我们可以区分他是高尚还是卑微，但是两者之间有很大的差异，从这一点上，我们可以知道这是不是一个普通的问题，也是一个模糊的问题，也就是说，他是不是

《简爱》英语读后感二：

AnAnalysisofJaneEyre

Thenovelisrichinpoetry,symbolismandmetaphor.Itdoesnotfiteasilyintoadefinitepattern,beingneitheranovelofmannersinthetraditionofAusten,orastraightforwardGothicRomanceinthestyleofMrsRadcliffe.WhatCharlotteBrontedidwastocreateaworkwhichcleverlyblendselementsofthetwostyles,andwhichremainsuniquelyindependentofthematthesametime,sinceitaddressesissueswhichwereatthetimerathercontroversial.

Thenoveliswritteninthefirstperson,andthusmagnifiesthecentralcharacter-thereaderenterstheworldofJaneEyreandistransportedthroughherexperiencesatfirsthand.Thisatoncemakestheworksubjective,especiallysinceweknowthatCharlottesBrontesownlifeandexperiencesweresocloselyinterwovenwiththeheroines.AswellasthiswelearnonlyattheendofthenovelthattheeventsarebeingrelatedtoustenyearsafterthereconciliationwithRochester-thusthenarrativeisRETROSPECTIVE(lookingback)。CBiscleverinblendingthenarrativesothatattimesJaneseemstobespeakingasanadultwithadulthindsight,whileatothersshesheisinthemiddleofthem,asachildoryoungwoman.Theindecisionwhichisacentralissueinthebook,isheightenedbythisdevice.Weneverknow,asreaders,whethertobeentirelytrustfulofJanesactionsandthoughts,becauseweareneversurewhehersheisspeakingimpulsivelyormaturely.

ThisintensifiesthereadersdilemmaastowhatisrightandwronginthedramaticrelationshipswhicharepartofJEslife.Canwebelievewhattheheroinesays,orisshedeceivingherself?Thenovelisprimarilyalovestoryandaromancewherewishescometruebutonlyaftertrialsandsuffering.Thesupernaturalhasitsplace,asdodreams,portentsandprophesies.Theheroinebeginspoorandlonelyandendsuprichandloved;theorphanfindsagoodfamilytoreplacethewickedone;allthebasicingredientsofclassicromanticfairytalearepresent.

TheromanticelementispresentintwoformsinJaneEyre;thefamilyaspectisdealtwithintheGateshead,LowoodandMoorHouseepisodes,whichinvolvetheexchangingofthewickedReedfamilyforthebenevolentRiversone;andtheLoveromanceisdealtwithintheThornfieldandFerndeanepisodes.Bothaspectsare,ofcourselinkedandinterwoventhroughoutthenovel.

Thereisalsoastrongelementofrealisminthenovel,which,marriedtotheromanticaspect,enhancesthenovelsstrength.Thesenseofplaceisverystrong;weareabletoexperiencebothexteriorandinteriorsettingswithstartlingclaritythroughoutthestory,inaseriesofvividdeivepassages.Thecentralcharactersarealsorealisticandtheirconfrontationsandsufferingschangetheminabelievableway.

Eventheunlikelyismadeplausible,withauniqueblendofhighdramaandperceptivelowcomedy(theattackonMason,forinstance)

Themorefantasticromanticaspects;thecoincidences;thesecrets;thesupernaturaloccurrences,arebalancedbytherealism,andthisisofcourseamajorstrength.

TheGothicinfluencecannotbeignored,althoughCBhasrefinedthetechniqueconsiderablyfromtheauthenticGothicofthe1790s.Intheoriginalgenre,theheroinewouldtypicallybeabductedandthreatenedwithseduction,orworse!.Therewouldbealover-arespectable,well-bredyoungman-whowouldendeavortorescuetheheroineandwouldsucceedaftermanytrial.theseducerwouldbeabrigandKnowthatIadoreCorsairs!andhewouldlockthegirlupinaremotecastle.

TherewaslittlefreedomformiddleclasswomenduringtheperiodoftheGothicnovel,andthiswasstillthecaseinthetimeofCB.Marriageespeciallywasoftenabargain,wherebyfortunesweresecuredbyusingthefemaleasapawn.Awomansvaluelargelydependedthereforeonhersexualpurityandshewasguardedandsecuredasaresult.Men,onthecontrary,werepotentandfree;loversandmistresseswerecommon.Ironicallythewomenwhoprovidedtheirservicesweresocialoutcastsasaresult.

InJaneEyreweseeelementsoftheGothicromance,inthatThornfieldHallandRochesteraredescribedverymuchinthebrigand/castlestyleBUTJaneEyreisnotabductedbyR.Onthecontraryshechoosestogothereofherownfreewill.ANDsheisclearinherdeterminationtohaveRochesterasahusband.Neitheristhereagentlemanrescuer;StJohnRiversmaylooklikeaGreekGod,butheisneitherkindnorbenevolent;drivingJanebacktoFerndean,notrescuingherfromit.

ThetrialswhichtheheroissupposedtoundergoinaGothicromanceareinfactundergonebytheheroineinJaneEyre.ThebanditRochesterisonlyskin-deep.Underneaththebroodingexteriorisasensitivesoul,whichaWOMANfrees.InthiswayweseethatCBcreatedratheradaringdeparturefromconventionalfiction,althoughtherearestillmanyaspectsofthenovelwhichremaintruetoVictorianconvention.!

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